While this menu emphasizes creating ProRes proxies, the specific frame sizes and compression settings not actually defined. When creating proxies by right-clicking an existing clip in the Project panel, Premiere offers five options. All proxies are created by Adobe Media Encoder. Premiere creates proxies on import, after files are imported into the project file, or by linking to existing proxies. NOTE: Here’s my review of the OWC Thunderblade. (I use the remaining SSD blade as my Time Machine drive.) The Thunderblade has a maximum speed around 2,500 MB/second. This engine does not exist in Intel systems.įor Premiere, I’m running the current version: 23.2.0.įor external storage I’m using an 8 TB OWC Thunderblade which I’ve configured into a 3-drive SSD RAID. NOTE: The M1 Pro SoC includes a Media Engine, which encodes or decodes ProRes, H.264 and HEVC media in hardware. It might handle more proxy streams, though.) (An M1 Max would even faster, but would still run into limitations due to the maximum speed of Thunderbolt. (Maximum CPU speed is around 1,000%.)Īdditionally, Adobe Media Encoder is slower than Apple Compressor in creating H.264 proxy files and FAR slower creating ProRes 422 proxy files.įor this article, I’m using a 16″ M1 MacBook Pro with an M1 Pro chip and 32 GB of RAM. In fact, when editing proxy files, the CPU is running less than 100% capacity. These limitations seem to be Premiere-based because, during editing, the CPU is running at less than 225% capacity.
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